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Franz Xaver Winterhalter Maria Luisa de Borbon oil painting


Maria Luisa de Borbon
Painting ID::  77393
Franz Xaver Winterhalter
Maria Luisa de Borbon
Date 1847(1847) Medium Oil on canvas Dimensions 2.2 ?? 1.4 m (2.4 ?? 1.5 yd) cyf

   
   
     

Franz Xaver Winterhalter Portrait of Queen Victoria, Prince Albert, and their children oil painting


Portrait of Queen Victoria, Prince Albert, and their children
Painting ID::  77397
Franz Xaver Winterhalter
Portrait of Queen Victoria, Prince Albert, and their children
Date 1846(1846) Medium Oil on canvas Dimensions 260.2 ?? 316.9 cm (102.4 ?? 124.8 in) cyf

   
   
     

Franz Xaver Winterhalter The Empress Eugenie oil painting


The Empress Eugenie
Painting ID::  77441
Franz Xaver Winterhalter
The Empress Eugenie
1854 Oil on canvas 92.7 x 73.7 cm cjr

   
   
     

Franz Xaver Winterhalter Portrait of Madame Barbe de Rimsky-Korsakov oil painting


Portrait of Madame Barbe de Rimsky-Korsakov
Painting ID::  77528
Franz Xaver Winterhalter
Portrait of Madame Barbe de Rimsky-Korsakov
1864(1864) Oil on canvas cjr

   
   
     

Franz Xaver Winterhalter Portrait of Sophia Alexandrovna Radziwill oil painting


Portrait of Sophia Alexandrovna Radziwill
Painting ID::  77544
Franz Xaver Winterhalter
Portrait of Sophia Alexandrovna Radziwill
1864(1864) cjr

   
   
     

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     Franz Xaver Winterhalter
     German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.

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